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Irene Grandi: “I Felt Marginalized in 2016—I’m Not Going to Sanremo!”

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Irene Grandi: "Nel 2016 mi sono vista messa da parte. A Sanremo non vado"

A new chapter in the career of Irene Grandi is about to unfold, and fans of her music can barely contain their excitement. On November 14, her highly anticipated eleventh studio album, titled Oro e rosa, will hit the shelves. In a recent interview, Irene opened up about the album and shared her thoughts on the current music landscape, her personal experiences, and even the iconic Festival di Sanremo.

At 55, Grandi reflects on her journey as an artist, seeking to capture a moment of transition in her life. The album’s cover, portraying both sunset and sunrise, symbolizes the constant ebb and flow of daily rhythms. She candidly admitted to facing a creative struggle but expressed optimism about emerging from this difficult phase. “There are times to expose oneself and other moments to retreat and create. I’m finally stepping back into the light,” she shared with the team at Vanity Fair.

Adapting to a Changing Musical Landscape

Irene’s comeback is not without its challenges, especially considering the seismic shifts in the Italian music scene. While her style requires careful crafting, the industry seems to have taken a more spontaneous turn.

– **The shift in musical creation:**
– “Today, anyone can claim to be a singer, producer, etc. The quality inevitably suffers.”
– “Though there are still good things out there, I struggle to find truly compelling proposals.”

Some artists are attempting to reinvent themselves, often collaborating with rappers. Irene admits she’s considered this path but hasn’t yet discovered a song that fits the genre.

Nostalgia for a Golden Era

Looking back, Irene feels a lack of originality in contemporary pop music compared to thirty years ago. She reminisces about a time when groundbreaking groups like 99 Posse and Almamegretta shaped the scene. “Back then, there was a strong sense of community. Now, when I watch Sanremo, I see artists appearing from nowhere, lacking a cohesive movement,” she observes.

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A Future with Sanremo?

Despite her long history with the Festival di Sanremo, Irene has decided not to participate in its 76th edition. “This year, I don’t have a song that fits; the best tracks ended up on Oro e rosa. I’m not even submitting my candidacy,” she explained. However, she remains open to the possibility of returning in the future. “I’ve been there many times, but now I feel a bit out of place. The focus seems heavily on urban, dance, and the new generation.”

Embracing Independence

In a significant move, Irene has transitioned from major record labels, which she had been part of since the beginning of her career, to the independent music scene. “Since 2016, with the explosion of streaming and new genres, I felt sidelined. Initially, it was disorienting, but the major label prospects weren’t promising, so I decided to take charge of my own path,” she said.

Continuing in the fast-paced world of the music industry would have been arduous. “In 2010, I had spent 15 years in a high-pressure career. I had to stop and reassess my life,” she admits. A pivotal moment came in 2012 when she embarked on a tour with pianist Stefano Bollani.

A New Artistic Direction

This collaboration marked a turning point for Irene. “I realized it was time to explore new sounds and return to my blues roots. This shift enriched me artistically,” she reflects. Today, she feels somewhat undervalued in the music scene. “I wonder why this side of me struggles to gain recognition from the wider public. People I respect have given me sincere praise, which is encouraging,” she shares.

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Finding Her Place

Although she may not fill stadiums like some of her contemporaries, such as Vasco Rossi or Jovanotti, Irene finds herself in a unique position. “If you’re somewhere in between, you might as well embrace the freedom that comes with it,” she concludes, indicating her readiness to carve her own path forward.

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